Digits & Threads is no longer publishing new content, but please enjoy the archives, which will remain available through the summer of 2025.

An Adventure with Fresh Leaf Indigo Dyeing

28 September 2022
Bookmark This (4)
Please login to bookmark Close

Sponsored in part by:

Ad description: The words, "The socks you knit won't last forever, but you can make them last for years and years. Shop now." Also featuring the cover image of the Sock Mending Guide.

Where do I, an eager-yet-amateur gardener, start my dye garden? During my first season, which plant can I depend on to survive as I learn through trial and error. Which one will grow in a small space and produce a high yield of dye pigment? Are there dye techniques that work only with fresh plants? Hapa zome and salt rub dyeing are fresh leaf dyeing methods that I can use with indigo. Thankfully, indigo is a weed that will endure mild neglect, provided it receives lots of water, and Japanese indigo (Persicaria tinctoria, also known as Polygonum tinctorium) has a hardiness suited to most of Canada’s biomes.

Eight weeks before the last frost, I fill a cheap plastic container (I use a kitty litter pan), 30 cm (12 inches) wide × 40 cm (16 inches) long × 10 cm (4 inches) deep, with 7.5 cm (3 inches) of potting soil. I use a chopstick to carefully poke pairs of Japanese indigo seeds 2.5 cm (one inch) down into damp potting soil, spacing the pairs 5 cm (2 inches) apart. The pan holds 48 pairs of seeds.

image description: a blue plastic tub, half full with potting soil; a rule shows the spacing of a few indigo seedlings

Once the seeds are safe in the soil, I water them to wash away abscisic acid (ABA). ABA is a plant growth hormone that keeps seeds dormant. When it is dissolved by water and washed away, mature seeds can begin to germinate and grow. In about a week, two delicate green leaves peek out, shyly growing upwards toward the light.

All photos by Magan Wilson.

Copyright © Magan Wilson except as indicated.
DSC_6653

About Magan Wilson

Magan Wilson is a potter turned fibre artist with a love of plants, experimentation, cats, and the hidden beauty of the natural world. Her love of glaze chemistry and form transformed into a love of dyes, fibre, felt, and knitwear. Her work catches the wholeness of existing in the present. The wild nature of the world that flourishes on the fringes of awareness. Chasing the idea of a 'wild night' you can find her work via her alias of Oíche Rua (EE-ha RU-ah), an Irish phrase capturing the chaos and wild beauty of the night sky. https://oicherua.substack.com/

Related Posts

Late Winter Natural Dyeing

Late Winter Natural Dyeing

[Open Access] Artist and forager Caitlin ffrench explores sources for natural dyes she finds in late winter. While she waits for the weather to change and her dye garden to grow, she finds sources for colour in discarded plant material—some from the outside world, some from the kitchen.

How to Plan A Natural Dye Garden

How to Plan A Natural Dye Garden

[Open Access] Dyer and forager Caitlin ffrench is looking forward to spring. In her first column for Digits & Threads, she writes about her favourite dye plants and planning her natural dye garden, and provides tips and resources to help you plan your own.