The Secret Codes: African Nova Scotian Quilts

20 November 2024
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Whenever I visit Tkaronto/Toronto, I always visit the Textile Museum of Canada. The museum regularly stages one or two major exhibitions of textile-based art, and it contains a delightful gift and book shop, a library, and an incredible, accessible community fibre space. While the exhibitions are consistently thought-provoking, it’s the large community space, called the Learning Hub, that feels like the heart of the museum. Visitors can, independently or in scheduled workshops, learn to stitch, weave, knit, braid, rug hook, mend, and more. Bins hold donated textiles and other items that the museum sells at a deep discount or redistributes for community making projects. Staff is always on hand to answer questions and the artist in residence is also located in the Hub.

Secret Codes Image 15
Secret Codes Image 16
Some glimpses of the Learning Hub at the Textile Museum of Canada.

The recent exhibition Secret Codes: African Nova Scotian Quilts is an excellent example of how the museum reimagines textile art and encourages interaction and hands-on learning. This travelling exhibition (which has been shown in Halifax, Yarmouth, and Charlottetown) contains more than thirty-five quilts and several paintings.

All images by Nadine Flagel. 

Copyright © Nadine Flagel except as indicated.

About Nadine Flagel

Nadine Flagel is a self-taught textile and fibre artist whose mission is making art out of “making do.” She holds a Ph.D. in English Literature from Dalhousie University and teaches literature and composition. She is interested in the repurposing of both texts and textiles. Both practices rely on cutting up existing text(ile)s, on aesthetic and sensual appeal, on thrift, and on putting old things into new combinations, thereby intensifying and multiplying meanings. Flagel has recently held her first solo exhibition at the Craft Council of BC, has written about textile art, has created textile art for public art commission, and has received grants to make art with youth. She is also a member of CARFAC, and the Craft Council of British Columbia. As a settler, she is grateful to live and work on unceded land of the Sḵwx̱wú7mesh, səl̓ilwətaɁɬ, and xʷməθkʷəy̓əm peoples.

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