Band Weaving: An Ancient Craft Suited to Contemporary Living Spaces

10 January 2024
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Band weaving forms narrow, decorative pieces of woven fabric that can be used for a wide variety of purposes, from embellishing clothing and jewelry to pet collars, lanyards, leashes, guitar straps, and yoga mat carriers. The bands are also incredibly strong; I once had an instructor use their woollen tablet-woven belt as a tow cable to retrieve a stranded car from a ditch. The enduring appeal of this craft is how little space it takes up as a hobby and how modest the material needs are to get started. Typical looms (though not required) fit easily on a coffee table and can be stored on a standard shelf. Bands can be woven using a variety of home set ups. One of the most popular options is using a typical inkle loom which can fit easily onto a coffee table for use and then  stored on a standard bookshelf. Band weaving also does not require a significant amount of fiber, which makes exploring more luxurious yarns appealing.

My introduction to band weaving was a class at a medieval recreation event in 2000. The instructor had us select colours from a riotous pile of acrylic yarn. Once we had organized our threads, we tied one set of ends to a table leg and the other ends to our belts. We leaned back and started weaving. It took time to adjust to the rhythm; the diamond pattern we sought sometimes forming chevrons or crude fish instead. But I was hooked. Back home, eager to start but short on resources, I flipped over my ironing board as a make-shift loom and started weaving my next piece using crochet cotton on hand (the ironing board never fully recovered!).

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Tablet-woven bands inspired by Iron-age Finnish patterns.

This introduction is the first of a series on different methods for band weaving. Stay tuned for more details on each method.

All photos by Zoe McDonell unless otherwise noted.

Copyright © Zoe McDonell except as indicated.

About Zoe McDonell

Zoe McDonell, MSc, RPBio, is a Vancouver-based textile artist and ecologist of settler-descent specializing in dyeing with plants, windfall lichens and mushrooms. She has been teaching workshops, lectures and demonstrations on natural dye techniques and other fiber arts since 2003. She studies how forest communities can be managed for conservation.

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